The team of Frank and Bill fenton led the factory through significant growth for the next 30-plus years. Together they continued to develop new designs based on the flexibility and character of handmade glass. Often they have said that Fenton's success depends on crafting items that cannot be made by machine.
While a number of hand-glass companies have closed their doors over the past 15 years, Fenton has survived and grown by continuing to be flexible- and by offering a stream of new products to the market.
The iridescent glass now known as "Carnival" reigned as Fenton's major product from 1907 to 1920. The blue-green treatment has proven most popular, while red Carnival is rarest and most valuable. "Stretch" glass created in the early 1920s, is made by spraying hot glass with metallic salts and then reheating to create a satin finish. When flared or crimped, the metallic skin on the glass surface stretches creating a satin finish.
Like the fiery opal stone, Opalescent glass creates a wondrous effect through a secret blend of ingredients matched with a skillful balance of chilling and reheating. The result is a gleaming transparent color glass that shades to opaque white. Cranberry glass was developed in England over 100 years ago and has been beloved by American collectors since its first appearance in the market. Fenton Cranberry follows the original formula beginning with a layer of gold ruby which is encased in sparkling crystal and then mouth blown to its final shape.
Mulberry glass also requires the addition of pure gold along with a layer of cobalt blue. A team of 24 skilled craftsmen gather, blow, finish and handle these multi-layered, heirloom-quality pieces for Fenton.
The most collectible glasses from Fenton recreate three beautiful treatments from the "Golden Age of Glass," 1860-1920. The first is Burmese glass made with both gold and uranium. The name was provided when its blushing pink edges on creamy yellow glass reminded Queen Victoria of a Burmese sunset. Rosalene glass is also noted for its deep pink edges but on a white background. Both colors require careful reheating to develop their unique shaded colorations.
The third collectible treatment is Favrene which first appeared over 100 years ago and was made popular by Louis C. Tiffany. Pure silver in the formula is coaxed to the surface when the glass is reheated.
Classic molds from the past inspire the Historical Collectionpieces, all made in the special colors and treatments that have been used with shapes. Each year the Connoisseur Collection,Fenton selects a small grouping of art objects -- unique in design, made in exotic glass treatments, and limited in number. Seven Connoisseur offerings for 1994 included a Favrene piece and a reverse painted lamp.
Fenton offers four editions of beautifully detailed glass Collectible Eggs,hand painted and signed by its artist. Each numbered, gift-boxed egg boasts a 22k gold plated base. For Christmas, Fenton produces an annual limited edition collection including a plate, bell fairy light and lamp -- all entirely handpainted. The 1994 theme was "silent Night," first edition in the Christmas Star series. It features a starlight woodland scene in metallic paints on Cobalt Satin Glass.
The Family Signature series includes a few select pieces which represent the glass worker's and decorator's finest creations, within a very limited time frame. Each bears the signature of a Fenton family member. As for Valentines, Fenton introduces three new items each year in a Cranberry Opalescent Heart pattern, as well as one to three items in the Mary Gregory style of painting. Both offerings are limited to a specific selling period.
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This page was last modified 4/25/96